Miss Carousel

Howdy! My name is Haley and I reside in the Great State of Texas. I am an eclectic gal full of many interests and obsessions. I enjoy those old classic country tunes and underground country singer-songwriters. I could jazz it up at the Cocoanut Grove, tap my boots at the Grand Ole Opry, and waltz at the court of Versailles. I keenly keep up with politics and am thoroughly liberal. I am a history fanatic! If you think film history is just the beginning you’re in for a handful!

Fare-the-well,

Miss Carousel

My Twin: CarolineAlice.tumblr.com

Ava Gardner signing autographs at a Midnight Matinee at the Colliseum, 1951.
Ava Gardner signing autographs at a Midnight Matinee at the Colliseum, 1951.

(Source: missavagardner, via sourvix)

corydonw:

                                                 ANNEES 1920
                      Gary Cooper - ” MARIAGE A L’ ESSAI ” - 1928

corydonw:

                                                 ANNEES 1920

                      Gary Cooper - ” MARIAGE A L’ ESSAI ” - 1928

(via errolivio)

avasgal:

"No one else could have given the part the sensitivity, the bruised quality that Ava imparted to it…She had to cut out drinking, the late nights and too much Frankie. She had disciplined herself rigorously for the part. She could always do this if she believed in the role, and she believed her part as Cynthia. Sometimes she would come in grumbling in the morning—she hated to get up early and drive to the studio. Once she was actually on the floor, she worked with a kind of desperate involvement and intensity that amazed me." 
-Henry King, director of The Snows of Kilimanjaro (1952)

avasgal:

"No one else could have given the part the sensitivity, the bruised quality that Ava imparted to it…She had to cut out drinking, the late nights and too much Frankie. She had disciplined herself rigorously for the part. She could always do this if she believed in the role, and she believed her part as Cynthia. Sometimes she would come in grumbling in the morning—she hated to get up early and drive to the studio. Once she was actually on the floor, she worked with a kind of desperate involvement and intensity that amazed me."

-Henry King, director of The Snows of Kilimanjaro (1952)

(via bellecs)

dianapowell:

BILL FUCKING POWELL IS TURNING 122 IN A FEW HOURS

EVERYBODY STAY CALM